![]() When really they’re depriving themselves of an emotional lynchpin. Some laughs are found, some duds appear, but all-in-all, the hijinks are shaky.Īlso, for some reason, the filmmakers thought separating Danny from her daughter, only to re-pair the two in the film’s latter stages, made for a good strategy. And one other witnesses her fighting for her life against another houseless man - a total tonal misfire. Another sees her getting high with another past acquaintance. Other digressions find Danny running into an old flame who’s not quite forgotten her. But the suspension of disbelief is made rough in the contours of Danny’s situation. Does this app do same-day pay? Does she have a bank account to direct deposit the money? These details might feel like minutiae. We know her ploy won’t work because the mechanics are so unbelievable. On her rollerblades, she visits her clients, exhausting herself in the process. ![]() For instance: To make the necessary $200, Danny becomes a food courier for a delivery app. When a character wears a mask or goes maskless, the choreography offers nonverbal undercurrents before dialogic interludes, yet often distracts.Īlso, the film’s stream of events illogically meanders. Unfortunately, “Thanks for Asking,” being a pandemic-era film, is what often holds the dark comedy back-kitschy pop culture-based jokes about entanglement and Karens land with the thud of old news. See, this gold band is totemic of her multiple losses - her home, her life, her husband - and thematically feels relevant to all this apathetic pandemic has ripped from viewers. If she doesn’t, she’ll risk losing the apartment. Consequently, she faces a difficult decision: If she sells her husband’s gold ring to a pawnbroker barber (I’ve gotta know if this is an LA thing or not), she’ll receive $300. A confluence of calamities befalls the widowed mother, whereby her plans go up in smoke. Danny just needs to drop off Wes for the day at a friend’s place, conduct a couple of hair appointments to earn the final $200 and visit the landlord with the cash. After scratching and saving, they’re $200 away from renting an apartment. Even so, life is looking up for mother and daughter. But they’ve lived there long enough for Wes not to be in school and for Danny’s friends to have taken notice of their absence. We’re not sure how long they’ve been here. She and her daughter Wes live houseless in a tent nestled in a sunflower field on the side of the interstate. READ MORE: The 20 Best Documentaries Of 2020Įver since Danny’s husband passed away, her life has felt less full. It’s an anfractuous story that needs its full 90-minute runtime to impart a kernel of spiritual truth. Written by Kali, Molina, and Roma Kong - “I’m Fine (Thanks for Asking)” tries to articulate the shortcomings of the gig economy and the challenges of grief and motherhood yet often fails to confront these issues head-on. “I’m Fine (Thanks for Asking)” is one of them. READ MORE: The 100 Most Anticipated Films Of 2021 And very few of these projects possess the requisite distance to fully articulate the scale of the loss. And what once produced topical documentaries recounting the early scary days of this onslaught now appears as feature-length narratives. See, we’re, of course, over a year into this never-ending slog. Following Danny (Kali) and Wes (Wesley Moss), a houseless mother and daughter, “I’m Fine (Thanks for Asking)” feels as though it would be infinitely better if it weren’t set during the pandemic. Co-directors Kelly Kali and Angelique Molina’s dark comedy “ I’m Fine (Thanks for Asking)” is the newest in what’s become an elongated line of pandemic-themed cinema.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |